There’s not much of a role (her husband is a louse, she misses her kid, her life is boring and shallow) for her to work with, but, since it’s a short movie, pretty soon she’s in full romantic comedy lead mode too.Ī film made in 2002, Avenging Angelo has as much use of songs for background music as one made in 1988. The movie’s not long, so the first act is when Stowe actually has the most character-defining acting to do and she’s fine. Stallone pretty much makes the movie it’s clear from the beginning, he’s having a great time, whether it’s working with Anthony Quinn (in these scenes, Stallone doesn’t even bother acting, just spends them enjoying Quinn’s company) or doing the romantic comedy lead. Too little of the time lost angle is discussed in the film–it’s way too subtle, to the point I almost suspect the writers never went in and made it age appropriate for Stowe and Stallone, leaving it for Bullock and Banderas or whoever. Stallone as the bodyguard who’s always been too busy protecting Stowe (without her knowing, of course) to have a life of his own. Stowe being a bored wealthy housewife on Long Island makes a lot of sense. But the reason it works as a romantic Mafia comedy is because of the second different aspect… Stallone and Stowe aren’t young. First, it’s a romantic comedy about the Mafia that genre is rarely explored. Anyway, instead of Bullock and Banderas, it’s Stowe and Stallone, which makes Avenging Angelo all of a sudden a very different romantic comedy. There aren’t any Italian movie stars in Hollywood right now… oh, obviously, Antonio Banderas playing an Italian. Maybe still-on-“ER” George Clooney or someone. Avenging Angelo plays like a Sandra Bullock comedy from the late 1990s, except it’s Madeleine Stowe in the Bullock role and… I don’t know Stallone in the Keanu Reeves role, if Keanu Reeves did romantic comedies.
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